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He died in Turin in1544. He was taught poetry and rhetoric by his father who was himself a poet. His compositions were concise and characterized by fresh, rhythmic and oratorical style in which chords chase the accents of speech. When he died in 1544, he had versified 49 Psalms. Please refer to the appropriate style manual or other sources if you have any questions. CLEMENT MAROT (1496-1544), French poet, was born at Cahors, the capital of the province of Quercy, some time during the winter of the year 1496-1497. Marotic (comparative more Marotic, superlative most Marotic) Pertaining to French poet Clément Marot, or characteristic of his light, graceful style. He went back to Paris in 1537 and once more became the official poet of the court. He entered the service of Lord de Villeroy and later, that of Marguerite d’Angoulême, François I’s sister and future queen of Navarre. Étude historique, littéraire, musicale et bibliographique, 2 vols. At th… Marot translated Catullus, Virgil, and Ovid and edited the works of François Villon and the Roman de la rose. Jean held the post of escripvain (a cross between poet laureate and historiographer) to Anne of Brittany, Queen of France. The Psalms are not his only religious work. “Revelations of Character”: Ethos, Rhetoric and Moral Philosophy in Montaigne, eds. RadioLab hosts interview Douglas Hofstadter, Professor of Cognitive Science and Comparative Literature, as he discusses his attempts to translate the poem, “ A Une Damoyselle Malade ” (To a Sick Young Lady) by Clement Marot. The change was due largely to Clément Marot, son of Jean Marot. Paris: Hermann éditeurs (Les Collections de la République des Lettres), 2013. Clément Marot et le Psautier Huguenot : etude historique, litteraire, musicale et bibliographique, contenant les melodies primitives des psaumes et des speciments d'harmonie de Clément Jannequin, Bourgeois, J. Louis, Jambe-de-Fer, Goudimel, Crassot, Sureau, Servin, Roland de Lattre [Lassus], Claudin le Jeune, Mareschall, Sweelinck, Stobée, etc. In 1514 Marot became Bien que marqué par l'héritage médiéval, Clément Marot est un des premiers poètes français modernes. Warner, et al., comp. Pertaining to French poet Clément Marot, or characteristic of his light, graceful style. In 1539, he offered François I the manuscript of the first thirty Psalms. These translations were notable for their sober and solemn musicality. Period: Renaissance: Piece Style Renaissance: Instrumentation 4 voices External Links D-Mbs: Extra Information Of the 1545 publication, only an incomplete Superius part and a Bassus part survive. After the Affaire des Placards, when placards attacking the Mass were posted in the major cities and on the door of the king’s bedchamber (1534), Marot fled to Navarre, where he was protected by Margaret. A great Renaissance French poet, Clément Marot (born in 1496) was a favorite poet of King François I of France and Marguerite d’Angoulême (later Queen Marguerite de Navarre). This psalm book had a very large circulation and contributed to shape the Reformed identity. They were set to music by using famous or secular tunes. Although Marot’s early poems were composed entirely in the style of the late medieval poets known as rhétoriqueurs, he soon abandoned the established genres of that school as well as its conceits, its didactic use of allegory, and its complicated versification. He also authored about 200 chansons, more than 20 of which were text of poems written by his counterpart Clément Marot. He introduced the elegy, the eclogue, the epigram, the epithalamium (nuptial poem), and the one-stanza Italian satiric strambotto (French estrabot) into French poetry, and he was one of the first French poets to attempt the Petrarchan sonnet form. Some Psalms became passwords and even war songs as the French Protestant people went through difficult times. His epigrams and epistolary poems (épîtres), in particular, display those qualities of wit, intellectual refinement, and sincerity and naturalness that were to characterize the French use of these genres for the next two centuries. Clément Marot, French poet, was born at Cahors, the capital of the province of Quercy, some time during the winter of the year 1496-1497. We use cookies to ensure that we give you the best experience on our website. He replaced his father in the service of François I and frequented evangelical and humanistic circles. He was also a master of the chant royal and infused some Horatian wit into the old forms of the ballade and the rondeau. Qui sont dignes de grans merveilles. In 1514 Marot became page to Nicolas de Neufville, seigneur de Villeroi, secretary to the king. Books “Entre deux airs”: style simple et ethos poétique chez Clément Marot et Joachim Du Bellay (1515-1560). « De tout mon coeur t’exalteray Malgré la protection de Marguerite de Navarre, sœur du roi de France François Ier, ses sympathies marquées pour la Réforme et pour Martin Luther lui valent cependant la prison, puis l'exil en Suisse et en Italie. In 1562, an official collection of the 150 Psalms came out entitled ‘The Psalms of David’. MAROT, CLÉMENT (1496–1544), French poet, was born at Cahors, the capital of the province of Quercy, some time during the winter of the year 1496–1497. He entered the service of Lord de Villeroy and later, that of Marguerite d’Angoulême, François I’s sister and future queen of Navarre. Graesse IV 441. Some of his most enjoyable poems were marked by a sense of fun.. Marot can be enjoyable when he is most profound.” M. A. Screech, ‘Clément Marot: a Renaissance Poet Discovers the Gospel.’ Brunet III 1457. dictionary. He organised them into stanzas so that they could be sung. (Paris, 1878–79) not only revived the interest in Marot’s Psalm paraphrases but also reopened the debates on the seriousness of his Christian commitment. Corrections? Marot attempted to create new or to improve existing lyrical forms, composing chansons and cantiques and originating the blason (1536), a satiric verse describing, as a rule, some aspect of the female body in minute detail. Source for information on Marot, Clément: The Columbia Encyclopedia, 6th ed. Our editors will review what you’ve submitted and determine whether to revise the article. On his father’s death, he became valet de chambre to Francis I, a post he held, except for his years of exile (1534–36), until 1542. There Is A Garden In Her Face: by Thomas Campion (1567-1620) There is a garden in her face Where roses and white lilies grow; French literature - French literature - Major authors and influences: The art of Clément Marot, at least at the beginning of his career, took its inspiration and the forms to express it from the Grands Rhétoriqueurs, as in the allegorical poem “Le Temple de Cupidon” (“The Temple of Cupid”). Instead, his knowledge of the Latin classics and his contacts with Italian literary forms enabled him to learn to imitate the styles and themes of antiquity. His father, Jean, was a poet and held a post at the court of Anne de Bretagne and later served Francis I. Simply put, the poem is a get-well-soon message to a young girl who has fallen ill. Last Updated on May 9, 2015, by eNotes Editorial. Clément Marot (23 November 1496 – 12 September 1544) was a French poet of the Renaissance period. Wishing to follow in his father’s footsteps by obtaining a place as court poet, he entered the service of Margaret of Angoulême, sister of Francis I and later queen of Navarre. Clément Marot was born in Cahors in 1496. Marot’s behaviour became unacceptable in that strict and sober city, however, and he was forced to return to Italy. Marot was imprisoned for Reformationist heresy in 1526 and based his superb allegorical satire Enfer on the experience. His father, Jean, was a poet and held a post at the court of Anne de Bretagne and later served Francis I. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Much of his achievement was temporarily eclipsed by La Pléiade, a group of poets who dominated the literary scene for a period shortly after his death. The famous 16th century French poet put into verse the biblical Psalms that were to be sung all over France and become the well-known Huguenot Psalter. While every effort has been made to follow citation style rules, there may be some discrepancies. He added grace, elegance, and personal warmth to French light verse. Clement Marot's biography and life story. Marot’s works had a serious impact on the Reformation in France and other countries. Stylish & ideally located, this stunning 4-bedroom vacation apartment in the heart of Paris, Champs-Elysées (8e), offers premium amenities including free WiFi, hotel beds and linens, luxury toiletries, and a Nespresso machine. 404-7, and Yves Giraud, 'Une apparition de Clément Marot dans la littérature populaire', Bibl Hum R, 33 (1971), 620-4. Clément Marot: |Clément Marot| (23 November 1496 – 12 September 1544) was a French poet of the |Renaissance| per... World Heritage Encyclopedia, the aggregation of the largest online encyclopedias available, and the most definitive collection ever assembled. Here is a later English example of a genre of poetry called "the blason" which first appeared in poetry collected by Clement Marot in France during the 16th century. A short imprisonment inspired some of his best-known works, especially “L’Enfer” (“The Inferno”), an allegorical satire on justice, and an epistle to his friend Lyon Jamet (1526). 1917. By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. I will tell of all your wonders” His father, Jean Marot ( c. 1463–1523), whose more correct name appears to have been des Mares, Marais or … 500 years ago… Luther posted his 95 theses. He abjured Protestantism in 1536 and was forgiven by the king. Marot composed both secular and religious verses, including the Psalms which were loved by John Calvin. [5] That Marot is ‘un Humaniste méconnu’ is the complaint of M.‑M. », (I will praise you, Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree.... Get a Britannica Premium subscription and gain access to exclusive content. His keen interest in the Reformation and his freedom of thought caused him considerable trouble. Not in BM STC Fr. Van Briggle Art Pottery was at the time of its demise the oldest continuously operating art pottery in the United States, having been established in Colorado Springs, Colorado in 1901 by Artus and Anne Van Briggle. Noirot, Corinne. Sleeps up to 10 people. Clement Marot probably began to versify (or paraphrase) the psalms around 1531, in order to replace les chansons mondaines et sales (the worldly and coarse songs) by the singing of the Psalms. de La Garanderie (quoted by P.M. Smith, “Clément Marot and Humanism’, in Humanism and letters in the age of François I er., ed. P. Ford and G. Jondorf (Cambridge, 1996). Marot is a good poet and a most influential one; he was renowned for his fine banter. Protestant museums and historical societies, Introduction to the Reform in the 16th century, The Independent Evangelical Theological Faculty of Vaux-sur-Seine. His father, Jean Marot (c. 1463-1523), whose more correct name appears to have been des Mares, Marais or Marets, was a Norman from the Caen region and was also a poet. Omissions? The Library of the World's Best Literature In 1529, he was charged with heresy and sent to prison. Critical and Biographical Introduction. Clément was the child of his second wife. He also versified the ‘Canticle of Moses’, the ‘Canticle of Simeon’, and some Orations, amongst which feature “The Commandments of God” (the Ten Commandments) and the “Oration to Our Lord Jesus Christ” (the Lord’s Prayer). He replaced his father in the service of François I and frequented evangelicaland humanistic circles. For more detailed bibliographical information see E. Moser-Rath, 'Clément Marot als Schwankfigur', Fabula, 20 (1979), 137-50, which lists ten editions of the Dutch version, Biography Youth. Clément Marot (1496-1544), from Biblical text Language French Composer Time Period Comp. O Lord, with all my heart; Marot was born at Cahors, the capital of the province of Quercy, some time during the winter of 1496-1497.His father, Jean Marot (c. 1463-1523), whose more correct name appears to have been des Mares, Marais or Marets, was a Norman from the Caen region and was also a poet. When he was not engaged in writing the official poems that his duties at the French court compelled him to write, Marot spent most of his time translating the Psalms; a first edition of some of these appeared in 1539, the Trente Pseaulmes de Davíd in 1542. Ring in the new year with a Britannica Membership, https://www.britannica.com/biography/Clement-Marot, Fact Monster - People - Biography of Clément Marot. Marot was arrested in 1526 for defying Lenten abstinence regulations, behaviour that put him under suspicion of being a Lutheran. Dès 1513, Marot passe en qualité d'… Marot subsequently returned to Paris in 1537 after Francis I had stopped the persecutions. His keen interest in the Reformation and his freedom of thought caused him considerable trouble. From the “New International Version Bible”). But the influence of Marot was evident in England among the Elizabethans, notably Edmund Spenser, and was revived in France in the 17th century. If you continue to use this site we will assume that you are happy with it. Frank Lestringant, Clément Marot de l’Adolescence à l’Enfer, Aureliani, Paradigme, 2006. Toutes tes oeuvres nompareilles, 19. By 1530, in any event, his fame had become firmly established, and his many poems seem to have enjoyed a wide circulation. My working title is: “Être David ou rien: Clément Marot, the Genevan Psalter and the Question of Hebraic Imitation.” 20. Calvin asked several songsters from Geneva to compose or adapt tunes that were suitable for the singing of psalms in church. more by Corinne Noirot Rhétorique et poétique entretiennent à la Renaissance un dialogue fructueux et tendu, qu’éclaire dans cet essai l’examen comparatif et rarement pratiqué de deux poètes traditionnellement opposés. At the request of François I he was set free and became the official poet at the king’s court. His graceful rondeaux, ballades and epigrams won him the patronage of Francis I and Margaret of Navarre. His father, Jean Marot (c. 1463-1523), whose more correct name appears to have been des Mares, Marais or Marets, was a Norman of the neighbourhood of Caen. But they were greatly admired by John Calvin, who gave Marot sanctuary in Geneva. In 1531 Marot was again arrested for eating meat during Lent, but this time he avoided imprisonment. [5] Concerning Marot’s religious stance, the magnum opus of Orentin Douen, Clément Marot et le psautier huguenot. Clément Marot, received his inspiration from various sources ; his style was poetic, sophisticated, clear and picturesque; he can therefore be considered as a forerunner of the great literary movement of the French Renaissance, the Pléiade. He was troubled again in 1532 and in 1534, after the “posters’ incident’”, he took refuge, first in Nierac, with Marguerite d’Angoulême and then in Ferrara, with Renée de France, Louis XII’s daughter. He put the psalms into verse and rhymes so that they could be easily memorised. I - Rondeau Responsif à un Autre, Qui Commençait : Maître Clément, Mon Bon Ami (Harvard) II - A Un Créancier (this has been removed) (Harvard) X - De l'Absent de S'Amie (this has been removed) (Harvard) XVIII - Réponse dudit Marot au Dit Clavier (this has been removed) (Harvard) He was taught poetry and rhetoric by his father who was himself a poet. Their condemnation by the Sorbonne caused Marot to go into exile again. When persecution of the Protestants increased, he again fled, this time to the court of Renée de France in Ferrara, Italy. Marot was born at Cahors, the capital of … Clement Marot (1496-1544). Pronunciation IPA : /məˈɹɒtɪk/ Adjective . Clément Marot (klāmiN´ mirō´), 1496?–1544, French court poet. From French marotique, from Marot, the name of French poet Clément Marot (1496-1544). [from 18th c.] The "Epigrammes de Clément Marot" were premiered in 1900 at a recital sponsored by the Société Nationale de Musique, featuring M. Hardy-Thé and the composer at the piano. (Reprinted from: Presses Universitaires de Laval, 2011). Book now! Clément Marot et Joachim Du Bellay font ici l' objet d'un parallèle qui ne raisonne pas en termes d'influence du premier sur le second, les deux projets poétiques restant très contrastés. The blason found immediate popularity and was so widely imitated that it was possible to publish an anthology in 1555.

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